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Angelita Grace Velasquez Aquino (born February 7, 1973) is a Filipino actress, fashion model, and television personality. Prominent in independent films, she has also worked on television shows of varying genres, and is known for her versatility and adaptability in portraying protagonists and villains. She has received various accolades, including six Star Awards, two Golden Screen Awards, and a Gawad Urian.
A journalism graduate of the University of the Philippines Baguio, Aquino began her career as a model, before making her film debut with a minor role in the action drama Mumbaki (1996). She made her first television appearance as a presenter of the lifestyle show F! (1999). Her breakthrough came in the erotic drama Laro sa Baga (2000), which earned her a Star Award for Best Supporting Actress. She gained wider recognition for starring in Crying Ladies (2003) and Donsol (2006), which were the Philippine submissions for Best International Feature Film at the Academy Awards. Aquino established herself as a leading actress playing villainous parts in the drama series Magkaribal (2010), Maria la del Barrio (2011), Apoy sa Dagat (2013), And I Love You So (2015), Till I Met You (2016), and Dirty Linen (2023).
Aquino received two Gawad Urian nominations in the same year for her roles as a trans woman in the drama film Porno (2013) and a woman desired by a teenage girl in the coming-of-age drama Ang Huling Cha-Cha ni Anita (2013), winning Best Supporting Actress for the latter. Among her notable performances are a widowed mother in the horror drama Amorosa (2012), a military intelligence officer in the action series Ang Probinsyano (2017), and a middle-aged woman smitten by a younger man in the erotic comedy Glorious (2018).
On stage, Aquino has performed in local theater productions of The Vagina Monologues (2002) and Closer (2013). Described by various media publications as among the most beautiful and finest Filipino actresses of her generation, Aquino has been involved in charitable work and causes, including education, gender equality, and women's rights.
While attending St. Bridget School in Quezon City, Aquino was a recipient of the Tulong Dunong scholarship funded by the Philippine Commission on Higher Education. After graduating from high school, she enrolled in the University of the Philippines Baguio, initially pursuing a bachelor's degree in mathematics. She struggled academically and decided to switch to the mass communications program, where she Academic major in journalism. At age nineteen, she was spotted at a shopping mall by filmmaker Jeffrey Jeturian, who arranged for her to audition for talent agents. In 1993, she began a modelling career and worked with designers such as Peter Lim and Jojie Lloren. She was featured in several television and print advertisements for products, and became the face of hair care brand Pantene.
Chito S. Roño cast Aquino as a woman who begins a sexual relationship with her godson in the erotic drama Laro sa Baga (2000), the script of which she found risky but necessary for artistic growth. She considered her part to be challenging and an embodiment of "physical and emotional transformation". The film required her to perform explicit sex scenes, including one in which she had to grab the genitals of co-star Carlos Morales. Aquino's performance garnered critical acclaim; the Philippine Daily Inquirers Pablo Tariman described her portrayal as "superbly" acted and one of the "most riveting" in the film. Lito Zulueta, also from the Philippine Daily Inquirer, praised her "sensitive" delivery. She won Best Supporting Actress at the Star Awards for Movies. Aquino and Roño reunited in the action drama La Vida Rosa (2001), Rosanna Roces, Liza Lorena, and Jiro Manio, in which she played a mother whose daughter is abducted by her ex-boyfriend (played by Diether Ocampo). The critic Andrew Paredes of the Manila Standard termed it a "rare local film that stands taller than a Hollywood release" and commended Aquino's "wonderful, understated performance". That year, she starred in the daytime drama series Recuerdo de Amor (2001). In February 2002, Aquino made her stage debut in a Folk Arts Theater production of Eve Ensler's play The Vagina Monologues, portraying a Bosnians woman subjected to rape. Following her theater appearance, Aquino featured in Mark Meily's critically acclaimed independent comedy-drama Crying Ladies, co-starring Sharon Cuneta and Hilda Koronel, playing a professional mourner who has an affair with her friend's husband. The film premiered at the 2003 Metro Manila Film Festival, where it won Best Picture. Crying Ladies was screened internationally, including at the Montreal International Film Festival, Brussels Independent Film Festival, and International Film Festival of Kerala. It was submitted for consideration for Best Foreign Language Film at the 77th Academy Awards. Eddie Cockrell from Variety called the film a "vigorous, ambitious, big-hearted comic meller" and credited the ensemble for "comfortably navigating between broad comedy and legitimate pathos". A. O. Scott of The New York Times, however, thought that Aquino's part was fleeting and "yielded little emotional payoff".
Aquino had four releases in 2004. She appeared in supporting parts in the parody fantasy series Marinara and the drama series Hiram. She next starred as the widow of Raymond Bagatsing's character in Gil Portes's Beautiful Life, a drama about the grief-stricken family members of casualties from a terrorist attack. Aquino's performance was praised by a reviewer from the Philippine Daily Inquirer, who considered her as one of the notable aspects of the production. Her final role of the year was in Evolution of a Filipino Family, a martial law-era experimental drama from Lav Diaz. With a running time of 643 minutes (11 hours), it is among the longest films ever made. In ICU Bed Number 7, an adaptation of the Palanca Awards-winning screenplay from writer-director Rica Arevalo, she took on the role of a daughter conflicted with Euthanasia of her father (played by Eddie Garcia) with terminal illness. Production of the film was completed in five days and it premiered at the 2005 Cinemalaya Independent Film Festival. She was a guest performer in the Encantadia prequel fantasy series (2005), playing an ancient goddess. Aquino reprised the role in the franchise's final installment in 2006.
In 2008, Aquino starred in the short film God Only Knows directed by Mark Reyes. It was screened at the Asian American International Film Festival and Tribeca Festival in New York City. She also featured in the supernatural fantasy series Lobo as a werewolf's mortal wife. Her next film release came in the Johnson & Johnson-produced family drama Botelya (2008), playing a single mother abandoned by an adulterous spouse. The following year, Aquino had a supporting role in All About Eve (2009), a remake of the eponymous South Korean show, starring Iza Calzado and Sunshine Dizon. The Ravelo Komiks Universe series Darna saw her portray the white stone keeper and original Darna, which was subsequently played by Marian Rivera.
To avoid being typecasting in roles of martyred wives, Aquino accepted the offer to star as Vera Cruz, a prominent fashion designer and main antagonist, in the revenge drama series Magkaribal (2010). Unlike her previous assignments, the role allowed her to display an intimidating and hysterical personality. Aquino described her interpretation of Cruz as someone "always upset with everyone, always screaming at the top of her lungs", drawing inspiration from Agot Isidro's character in the television series Tayong Dalawa (2009). "They've designed the villainess... in such a way that they will be sympathetic also, that they will be as real as possible", she said. She found herself challenged by the role and said that working on the project was a "daunting task", though she admitted that her personal experience working in the fashion industry drew her to the part. Her performance received generally positive reviews, with Ricky Lo of The Philippine Star finding Aquino to have "reaffirmed her thespian chops": "Watching Vera Cruz is like riding a roller-coaster of powerful emotions. One minute you hate her, wanting to crush her into pieces... and the next you sympathize with her". She received a Star Award for Best Actress in a Drama Series nomination, and was also nominated in the Best Supporting Actress category at the Asian Television Awards for the role.
After a brief appearance in the family drama series Minsan Lang Kita Iibigin (2011), Aquino starred in the series remake Maria la del Barrio. As with Magkaribal, her role in the adaptation of the Mexican soap opera of the same name was the main villain. A journalist from The Philippine Star thought the show was compelling and found her portrayal noteworthy. In 2012, Aquino featured in R. D. Alba's dramatic thriller Biktima, portraying a journalist who suffers from post-traumatic stress disorder after being abducted. She then played the lead role of a woman who is forced to care for her two sons after a car accident in the psychological horror Amorosa, directed by Topel Lee. Aquino, who has two children of her own, was drawn to the idea of playing a selfless mother and believed certain aspects of her character's life mirrored her own. The film only received a limited theatrical release. That same year, she co-starred with Isabelle Huppert in Mendoza's psychological thriller Captive. It is a partly fictionalized account of the year-long abduction of civilians by members of the Abu Sayyaf militant groups that began in a private island resort in Palawan. The film was presented at the 2012 Berlin International Film Festival.
After playing a series of intense roles, Aquino actively looked for a light-hearted part. She found it in the drama series Honesto (2013), which re-teamed her with Torre. Aquino described her character as comical and unpolished: "I am enjoying it so much, my bangs, my colored hair". She began 2014 by appearing in Ikaw Lamang, a period drama series set in a fictional Hacienda in 1960s Bacolod, in which she played Rebecca Marivelez, a submissive and unhappy wife of a politician. For her performance, Aquino received nominations for Best Supporting Actress at the Golden Screen and Star Award ceremonies. That same year, she starred in Astray, a short film about a lesbian couple. She also had a supporting role in the teen drama series Bagito, starring Nash Aguas and Ella Cruz.
Aquino returned to playing a villainous part in And I Love You So (2015), a family drama series co-starring Dimples Romana, Julia Barretto, and Miles Ocampo. She portrayed Katrina Cervantes, a woman who abandons her family and later returns to make amends. She was unable to sympathize with Cervantes, as she could neither understand nor respect her character's actions. The critic Maridol Ranoa-Bismark described the show as conventional, but praised Aquino's portrayal, writing that she "shifts from pathetic to furious and back with such passion, you want to let her carry you away in her torrent of emotions again and again". In Diaz's historical fantasy drama A Lullaby to the Sorrowful Mystery (2016), she played an androgyny Tikbalang mythical creature. The Philippine Entertainment Portals Mari-An Santos lauded Aquino for "seamlessly conveying the scheming character". Paolo Abad from Rappler called the film "mesmerizing" and thought Aquino's role was "eclectic". The film premiered at the 2016 Berlin International Film Festival, where it won the Silver Bear Alfred Bauer Prize. For her next project, she was cast as the antagonist in the romance series Till I Met You, which was filmed in Santorini. John Mark Yap of ABS-CBNnews.com took note of how much Aquino had stood out in her supporting role.
In 2019, Aquino starred with Nar Cabico in the independent film Akin Ang Korona, a comedy that follows the making of a reality television series. She played the show's presenter, and based her character's approach on the journalists Korina Sanchez and Jessica Soho. The film was presented at the 2019 Cinemalaya Independent Film Festival. Mac Alejandre's drama Kaputol was her next release that year. A "film within a film", the production tells the story of an actor (Alfred Vargas) and a film director (Cherie Gil) working to finish a script. In it, Aquino portrayed Gil's same-sex partner. Kaputol received the Best Performance Award at the Innuendo International Film Festival for its ensemble cast.
After a two-year absence on screen, Aquino appeared in two productions in 2021. She had a guest role in an episode of the anthology series Maalaala Mo Kaya, in which she was paired with Adrian Alandy, as high-school classmates who reconnect later as adults. Remarking on her performance, Gerry Plaza of ABS-CBNnews.com wrote that she "stood out with her reverberating intensity, even with a not-so-dramatic character". Aquino then reprised her role in the six-part HBO Go miniseries On the Job, a television sequel of the 2013 film of the same name. It received an International Emmy Award for Best TV Movie or Miniseries nomination. Two years later, Aquino starred as Feliz Fiero in the revenge drama series Dirty Linen (2023). Playing a woman with gambling debt, Aquino's character is the daughter of a wealthy matriarch (played by Tessie Tomas) whose family becomes entangled in a murder plot.
Under Dreamscape Entertainment, Aquino portrayed a villainous fashion designer in the drama series Fit Check: Confessions of an Ukay Queen, which premiered on Amazon Prime Video on July 6, 2023. The following month, she joined the cast of Senior High, an iWantTFC mystery drama series. She played Tanya, a tough but reckless mother to twin daughters Sky and Luna (played by Andrea Brillantes); she loses Luna to suicide but suspects foul play. To prepare for the role of a tattoo artist, Aquino dyed her hair purple and applied decorative ink on her upper and lower limbs. "One of her biggest strengths is her versatility", wrote ABS-CBNnews.com critic Liezel dela Cruz, "which allows her to play pretty much any character in any genre... far different from her other recent portrayals, proving time and again that she can do it all". Aquino then took on a brief role in Petersen Vargas's dark comedy A Very Good Girl, featuring Kathryn Bernardo and Dolly de Leon. The sequel series High Street (2024) featured her reprising the role of Tanya from Senior High.
Aquino is particularly known for her versatility and adaptability in playing protagonists and antagonists. She specializes in portraying emotionally grueling villainous characters, as well as submissive women who suppress powerful emotions. Fiel Estrella of CNN Philippines wrote that her antagonistic roles are "something she can pull off with her signature grace and the right amount of unexpected menace", and identified a theme of characters that embody "humanity, redemption, and goodness". The journalist Ricky Lo of The Philippine Star associates Aquino with persuasion, writing, "Her performance is so convincing that she can even play with your emotions. You want to pummel her when she's bad, but then you also want to cry with her when she's at her lowest. She's so good that she can manipulate your feelings." Aquino has commented that physicalizing and internalizing as part of her acting is a technique she views as an obvious requirement in her portrayals. When questioned as to how she personifies the vileness of her character, she remarked: "I have to stand up straighter, I have to put my chin up, I have to look proud and ready to eat someone alive". Media publications such as Preview and Rappler have included Aquino on their list of notable Filipino villains.
Tony Labrusca, her co-star in Glorious, considers her to be a "grounded" actress, and said that she has always remained "calm and collected" on set. Her Ang Huling Cha-Cha ni Anita director Sigrid Andrea Bernardo recalled that Aquino was "humble and treats her fellow actors with utmost respect", and has identified a willingness in "redefining her screen persona" by detaching herself "from her usual mainstream roles". Ruel Bayani, who directed Aquino in a 2007 episode of Maalaala Mo Kaya, described her as "one hell of a competent actress", and Jane de Leon, with whom she worked with in Ang Probinsyano, praised her talent and work ethic.
In a 2019 interview, Aquino stated she did not study acting. She has said she bases her acting approach on her observations of people around her, learning from collaborations with co-actors: "I did not take any workshops or seminars... I was just observing people and I was just taking advice from my mentors". Aquino has named Cherie Gil and Sharon Cuneta as two of her favorite and most influential actresses. She considers Gil as her inspiration in playing antagonists. "She was really my benchmark, my peg", she said, "I can never be her... but somehow, I guess the nuances... especially when I was starting were inspired by her". On a performance that stayed with her the most, Aquino highlighted being incredibly moved by Cuneta's acting while filming a scene in Ang Probinsyano, adding that there was something raw and powerful about it.
Aquino's public image is strongly tied to her perceived beauty and sex appeal. She has been cited as one of the most beautiful faces in the Philippine entertainment industry by many sources. In 2006, she was named by the Philippine edition of Marie Claire as one of its woman of the world honorees. Aquino has appeared in Yes! magazine's annual beauty list in 2014 and 2015. The Philippine Star emphasized that her most recognizable physical features are her "exquisite facial bone structure... svelte figure.... olive skin and long legs".
Throughout her career, Aquino has received many accolades for her work in film and television. She received a Star Award for Best Supporting Actress for her performances in Laro sa Baga and Ang Huling Cha-Cha ni Anita. For the latter film, she was also awarded the Gawad Urian, Gawad Tanglaw, Golden Screen, and Star Award in the same category. In addition, for her role in the television series Apoy sa Dagat, she was awarded a Golden Screen Award for Best Supporting Actress. She has received double nominations at the Gawad Urian Awards in the same year, similar to performers such as John Lloyd Cruz, Anne Curtis, and Eddie Garcia.
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